J.W. Seabrook Auditorium
Contact Info:
Antoinette Fairley
910-672-1724
910-672-2176
Afairley@uncfsu.edu
Dwight Thompson
910-672-2108
910-672-2176
Dthomps4@uncfsu.edu
Richard Barber
910-263-2978
(Cell) 910-672-2176
Rbarber1@uncfsu.edu
Technical Specifications
Lighting Equipment
Control:
ETC Expression 3 Console
400 Channels, 24 Submasters, 1,536 Dimmers
600 Cues, 500 groups
Two 15" Monitors
House/Work lights:
Controllable via ETC Expression 3 console or E-Panel
House Lighting System
Ellipsoidals:
30 ETC 575W Source Fours @ 19°
30 ETC 575W ETC Source Fours @ 26°
12 ETC 575W ETC Source Fours @ 36°
8 ETC 575W ETC Source Fours @ 50°
Par Cans:
30 ETC 575 W Source Four PAR w/Color Frame & Lens Set
(Enhanced Aluminum)
Scoops and Floods:
8 Altman Q-Lite Jr. w/Color Frame, snoot-Color Frame
Border and Cyc Lights
6 Altman GC-8 - 8 Cell Ground Cyc w/Color Frame
6 Altman Sky Cyc 4 - 4 Cell Sky Cyc
Follow Spots:
2 Lycian Model 1267 SuperArc 400 Long Throw
Sound Equipment
Mixing Console:
Allen & Heath ML3000 32 Mixing Console
32 Mic/line inputs with inserts and direct outputs
2 Dual Stereo line inputs, Left, Right and Centre
outputs with inserts, 4 Groups, 8 Auxes with faders,
rotaries and inserts, 8 VCA groups with mutes, 4 Audio
groups with LCRplus sub grouping
Sound Equipment
Sound Booth:
5 Juice Goose JG 8.0L Power Distribution Centers w/
light modules
1 Sennheiser SI 1015/NT Rack Mount 2 Channel
Transmitter
1 Lectrosonics AM8TC Automatic Microphone Mixer
1 ROLLS MX 54S ProMix Plus 3 Channel Stereo Microphone
Mixer
1 Crown IQ-USM 810 Ultra Series Digital Processor -
Digital Mixer
2 Rane SM 26B Splitter Mixer
1 Rane VP 12 - 12 Voice Processor
1 Rane CP 64 Commercial Processor
2 Clear Com PL Pro MS-440 4-channel Main Station
1 Custom Remote Switching Sequential Power Controller
1 ADC PPI1223RSAR 2X24 Video Patchbay 1 Hubble CAT5E-24 Port Patchbay
2 Atlas SACS-1F Sequential Switch System
2 Altas RWL-1 Rack Work Light
2 Shure U124D/87 Dual Channel UHF Wireless System
2 DBX-166XL Dual Compressor/Limiter/Gate
1 Lexicon MPX1 Multiple Effects Processor
1 Alesis MasterLink ML-9600 High Resolution Disk
Recorder
1 Denon DN-C635 CD player
1 Sony MDS E-12 Mini Disc Recorder
1 Ashly Protea System II - 4.24RD Digital
Equalizer/System Processor/Remote Control
2 Ashly Protea System II - 4.24GS Four Channel Graphic
Equalizer/System Processor Slave
1 Allen & Heath RPS11 Power Supply Unit
1 E-Panel Furnished by 11961 w/pigtail
2 Mackie HR824 Active 2-Way Studio Monitors / LF
150W-350W peak HF 100W-210W peak
Additional Equipment:
2 Sennheiser SZI1015 Infrared Emitter Panel
2 Sennheiser SZI1029 Infrared Emitter Panel 4 Sennheiser MD 421-II Dynamic Microphone
1 Sennheiser HD 25 SP Studio Monitor Dynamic Headphone
40 Sennheiser RI250 Wideband Infrared Stethoset
Receiver
4 Sennheiser RI250-J Wideband Infrared Stethoset
Receiver
4 Sennheiser EZT1011 Introduction Neck Loop
4 Shure Beta 57A Supercardioid Dynamic Microphone
(Instruments)
6 Shure Beta 58A Supercardioid Dynamic Microphone
(Vocals)
1 Shure Beta 52 High Output Dynamic Kick Drum
Microphone
2 Clear Com GM-18 Gooseneck Microphone
10 Clear Com RS-501 One Channel Beltpack
2 Clear Com CC-260R Double Ear Headset
8 Clear Com CC-95 Single Ear Headset
4 Crown PCC-160 Phase Coherent Cardioid Microphone
4 Pro-Co DB1 Direct Boxes
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General Stage and Theatre Information |
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Width at Proscenium Opening: |
42' -0" |
Depth from Plaster line |
28' -0" |
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Height of Proscenium Opening: |
22' -0" |
Depth of Apron |
3' -8" |
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Wing Space SR: |
17'-2" (Fly Rail) |
Wing Space SL |
17' -2" |
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Dimensions and Description of Crossover Space: |
79' -0" x 39'-5" |
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Stage Floor Type: |
Hard Wood |
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Stage Floor Color: |
Natural/Blood Wood |
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Depth of Pit at Audience Level: |
6' -0" |
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House Capacity Breakdown: |
Orchestra = 723 |
Balcony = 395 |
Total = 1132 |
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Handi-Cap Accessibility: |
Yes 14 (seated spaces) |
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Backstage Layout |
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Loading Dock Location: |
Back of the Auditorium |
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Access to Loading Dock from the Street: |
Yes |
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Loading Dock Access to the stage level: |
Yes, 4' -0" from Street Door Opening: 8' -0" W 10' -0" Tall |
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Obstructions in Backstage: |
Shells |
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Dressing Rooms: |
3 Dressing Rooms located backstage. |
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Restrooms: |
In addition to the dressing room bathrooms there are 2 full restrooms backstage as well. |
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Miscellaneous Info |
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Showers: |
2 bathrooms with showers 1. between two of the rooms the other in the private dressing room. |
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Washer/Dryer: |
Yes, located in one of the dressing rooms. |
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Projection Screens: |
2 white screens |
Projectors |
2 |
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Fogger: |
Yes,1 Water Based |
Marley Dance Floor: Black |
Yes |
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Equipment (Rail, Sound & Light) |
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Light Board: |
ETC Expression III |
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Location of Board: |
Control Booth; Back of House |
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Dimmers/ Circuits Available: |
100+ |
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Stage Pin or Twist-lock: |
Stage Pin |
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Leg, Borders: |
Black, 5 Sets, Brand New(BN) |
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Travelers and Full Stage Soft Goods: |
Bi-Directional Black, No Fullness,1set,BN Bi-Directional Blue, Yes Fullness,1set, BN |
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Cyc, Scrim, Bounce: |
Scrim (White, Not Seamed, 1 Set, BN) Cyc (White, Not Seamed, 1 Set, BN) |
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Main Curtain: Info |
Travel, Blue, Opens from the SR, Manual |
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Rail/ Fly System: How many linesets? How many electrics? Where is the Rail operated? Type of Rail System? Flown Orchestra Shell? Which side is rail operated from? |
29 4 SR Floor Counter Weight Yes SR Stage Floor |
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Back Wall: |
Black |
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Sound Info: |
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Speakers: |
JBL-AM 4212/95, 2 JBL-AM 4215/95, 2 |
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Microphones: |
Shure-Beta 58A, 6 Shure-Beta 57A, 4 Shure-Beta 52A, 1 |
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Playback: |
Alesis ML 9600 CD/Rec/Player, 1, BN Denon DEN-DN-C630 CD Player, 1, BN |
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Console: |
Allen Heath ML 3000, 32 Channels, outside Source need XLR or ¼ Bal Phone |
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EQ, Compressor, etc: |
Rane VP 12, 1, BN |
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Intercom/Headset: |
Clear Com |